Today I would like to focus on the choir and school at Ely Cathedral. The history of music at Ely is an interesting read and well worth it for any church musician. We often think of the Anglican choral tradition as always having been at its current standard, but that is far from the case. I often wondered why the tradition of cathedral music never crossed the pond from England to America. A large part of that is because many of our early settlers were Puritans. However, I think an equally important reason is that the cathedral music tradition in England really wasn’t worth emulating until the Anglican choral revival, which took place as part of the Oxford Movement in the 19th century. Musical conditions at Ely were considered to be among the worst until that revival. Today, however, Ely has an incredible music tradition, very much alive. The choir comprises some 22 boy choristers, educated at King’s Ely, and 6 plus lay clerks.
Another exciting aspect of the Cathedral Choir is the Cathedral Girl’s Choir, directed by Sarah MacDonald. The girls’s choir began in 2006 and is already at a very high standard. The girls in the choir are of high school age, which lends an emotional depth to the choir’s sound not as easily reached with boys. I have been fortunate to have been in contact with Mrs. MacDonald regarding choristers and sight-singing. She told me that one important aspect of sight-singing is actually the number of times a choir sings each week. She felt that a choir should be singing at least three times each week in order to truly exercise the choristers’ sight-singing abilities. I have never forgotten that.
Finally, I would like to mention the scholarships that each chorister receives at Ely. The boy choristers receive scholarships around 50% of their school fees. For churches that can afford this (or fund raise for it), this is a great incentive for recruiting and retaining choristers, especially when sports have almost entirely taken over the lives of American youth.